Why? For me it was an opportunity to work with friends, some of whom I hadn’t worked with in several years. We shot for 3 days, but I could only do the first 2. Unfortunately for me, they were night shoots that turned into overnight shoots... also I say, never again…
At any rate, I get to see the final film tonight, hopefully it will turn out as good as it looked through the lens. I also got to work with some great people and some great equipment. Here are some set stills taken by Andy Pischalnikoff (http://www.doctorlegacy.com/):
Night 1, an airplane hangar in Lincoln, CA.
The Director, Eric Espera.
Night 2, night interior and exterior. Here I am building my new light, a 7’ 1k softbox. It took a while to build and rig, but once it was set, we were lit for the scene.
Setting the light 20’ up with a mafer clamp on to a 2x6 beam. The light had a safety cable, I wish I had one!
Once the light was set, it was worth it.
Another angle with the director and myself in the corner.
I got to fly a glidecam, yea! Always love that.
A Dutch camera trick my friend and SoCal DP Eric Petersen showed me on my first film. Thanks Eric!
This is my Father playing the roll of “The Dad”
And again, showing the lighting setup.
Here he is in the final composite.
This is a frame grab from the final edit, staring Susan Fore.
























